QUOTE(Lloyd @ June 26 2007, 02:37 PM)

I don't know if this is the problem.....
but I believe that initially, from what I can remember (I used to use bridge cs2 and then switched to lightroom), bridge (and from what I can see, LR too) creates the thumbnails from the embedded JPEG files in the RAW, so they'll look just like they looked on the back of the camera LCD screen. I believe it updates thumbnails in the background when it gets to them.
I noticed when I would go into a folder for a new shoot where no thumbnails were generated, and then jump halfway into the photo collection, that same thing would happen to me. The thumbnails looked great and then I'd click them and the preview window would come up, and it would look great... for about two seconds, and then turn ugly. I was told this was because the program just quickly displays the embedded JPEG file while it reads all the RAW data and creates the RAW preview and thumbnail. Once all the RAW data is loaded and ready to display, it switches out the JPEG preview and puts up the RAW preview, which is usually dull, ugly, and off colour. (One of my cameras produces overly orange files, another is overly reddish, and looks like yours produces a lot of blue)
Once the Program sees that you are looking at files halfway into the shoot, it seems to switch the processing order and begins to generate the ugly RAW thumbnails/previews for the photos right around the one you selected, thinking that you are going to be working in that area.
Again, I don't know if this is your problem or not, but both bridge and LR does the same things to me. I have to bring the colour back reality with the colour calibration settings and then start doing the rest of the processing. (i.e. exposure, contrast, saturations etc...)
Yup. From what I've learned over the last 2 weeks, Adobe is doing a "best guess" to read the RAW data out of the camera, since Canon won't "share" (Nikon won't either). The jpg that the camera creates is created by CANON, so it looks RIGHT. Adobe tries as hard as it can to read the RAW data out of the Canon camera but ends up doing a "best guess". That's why the Canon view of a Raw file inside Canon's DPP looks RIGHT, and the Adobe view inside ACR & Bridge looks WRONG.
I didn't have this big of a problem w/my 5D, and CS3 has been driving me so nutso with instability, I just got fed up last night and returned my Mark III this morning. I was spending WAY too much time in ACR trying to get the Canon Raw files to look decent (back to normal). Maybe I should have just shot JPEG on the Mark III. But why would I have to shoot jpg on a $4000+ camera to get good/reliable/accurate images!?
I'm happy with the decision I made. It's a bummer that the fancy schmantsy Mark III wasn't all it was cracked up to be for me, but oh well.
~Carey